From the big top to the big screen, visionary filmmaker James Cameron and director Andrew Adamson (”Shrek”, ”Narnia”) invite you and your family on an all new 3D adventure:” Cirque du Soleil Worlds Away”. A young couple who is separated, must journey through the astonishing and dreamlike worlds of Cirque du Soleil to find each other, as audiences experience the immersive 3D technology that will allow them to leap, soar, swim, and dance with the performers. Cirque du Soleil brings their world to your city!
This was was a dream come true, you’ve said?
I had actually been trying to talk to the Cirque people for years saying, “Why aren’t we doing your shows in 3D?” And I finally met with Danielle when I was finishing Avatar and I said, “We could be doing this with your shows”. And when he started to see the possibility of what 3D could really be then we got serious.
How does 3D enhance the spectacle?
The Cirque du Soleil shows are so gorgeous, so colourful, so dreamlike – the 3D just puts you right in the show in a way that I believe is even better than sitting in the audience. You sit in the audience and you see it from one perspective but you go in with the 3D camera and you get in amongst the performers and you get into those high angles where you really see the jeopardy of those aerial acts, how far above the ground they are and you can feel that sense of vertigo. You appreciate the performance so much more.
How did you direct a director, Andrew Adamson, for this film?
Andrew is strongly visual, understands the visual effects which are used to create the wrap-around story but also had a great sensibility about what this is – this is a circus in a dream. You’re kind of in a dream-state when you watch a Cirque du Soleil show anyway, now you’re being asked to go a journey between these circus tents if you will in this dream-like state. So he approached it as art, as beauty, as a dream-like enigma because ultimately it’s not about that story, it’s about the design and the characters and all of the unanswered questions. There are so many things in Cirque du Soleil shows that are never answered for you – it forces your imagination to kick into gear.
How did you film the live show in a different way?
The challenge was that a lot of the power of the Cirque shows is that they’re performed live so there’s always the possibly that the performer might fail. I don’t think people want that to happen but they celebrate it when it doesn’t because it’s a live show, it’s really happening right in front of them. So we have to do something different with a film and the 3D provides a level of physical presence as if you’re really there, it kind of convinces the brain at a subconscious level that it’s really happening right in front of you. And it also makes you feel as if you’re right there with the performers, you see the power of the athleticism in their performance and the grace and the beauty, it all just feels enhanced.
How did you select amongst the arsenal of 3D camera equipment?
We had a huge arsenal of camera equipment coming off a number of movies, Avatar among them but also coming off a lot of the live sports events that we’ve been shooting so the question was, looking at that arsenal, what’s going to work for these shows. Really it was a little bit like a concert film which we had done because there’s a live audience while we’re shooting parts of it and we have to have the cameras be unobtrusive and yet we also had the opportunity to go in and restage parts of the act without the audience there and get the camera right in close to the performance, so it was a little bit like shooting a movie. So we knew we had to have tools that were like the long-lens camera and cranes that we would use for a concert film. We’d also get in there with the steady-cam, dolly and so on – a mix of the entire tool set that Cameron Pace Group has available. It was the first time we ever put together all of those pieces on one project.
Was there extra pressure put on the performers?
All the Cirque performers are actors, they’re performers, they’re show people so I don’t think it was tough for them – they understood there was a lot of pressure on them because they were elected out of not just the troop of their shows but all the troops of the different shows to represent Cirque du Soleil in this film. They worked really hard, they tried really hard but that’s what they do every day – that’s what these people do every day. Erica in her day job is up spinning around 50 feet above the floor at high velocity, being held there by someone with just one hand so I think they know how to deal with pressure.
Photo: Mark Fellman
© 2012 Cirque Du Soleil Burlesco, LLC. All Rights Reserved.
”Cirque du Soleil Worlds Away 3D” (rated G) opens in Cinemas in Digital 3D and 2D in Australia on 21 February 2013.
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Against the Current - the band, not adventures in dangerous swimming 101
Zedd - If our love is tragedy, why are you my remedy? (Well, answer my question!)
Arrow (Okay, Felicity from Arrow!)
Chrissy Costanza (cat eyes and buttery lyrics!)
Girls (TV) (Okay, Allison Williams!)
Movies - especially when they play in the dark.
Twin Peaks (TV)
Friends (TV) (It had me at "No way are you cool enough to pull Clint"; damn straight, Chandler!)
Traveling - preferably where water is, so I can splash someone!
Star Wars trilogy - no, the other one, fella!
Alex G - far more talented than her younger brother Alex H
Cameron Crowe movies - Say Anything..., Jerry Maguire, Almost Famous
The sign 'Free Wi-Fi'.
Reenacting dance/song scenes from "Grease" with my little girl (hey! Wait till you see my 'Summer Lovin'! - don't judge)
Die Hard - 40 stories of Sheer Adventure!
Alex Goot & Friends (his enemies aren't half as talented!)
Cooking up a nice dish and sitting in the entertainment area, on a cool night, basking in it's greatness.
Inflatable kids pools full of Vodka Lime Crush.
Acidic Email from angry, over passionate teenagers after I trash something "Twilight"-related on the site. Sparkle elsewhere.
My baby girl's big, caring heart.