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Dumbo review : it actually does fly!

Tim Burton brings the live-action adaptation of Dumbo to the big screen.





Tim Burton


Colin Farrell, Michael Keaton, Danny DeVito, Eva Green, Alan Arkin

Run time:

112 mins


Tim Burton and Disney have joined forces to bring audiences a live action reimagining of the classic animation film “Dumbo”. Said to be a representation of the quirky Burton losing his creativity to the corporate abyss of Disney, the director’s fans will enjoy the return of his haunting and often rebellious style in this flick that’s half family-oriented sweetness and half anti-establishment cynicism.

“Dumbo” appeared to be one of the toughest choices for Disney to add to their live action remake slate, a trend started by Burton’s own “Alice in Wonderland”. The animated film was filled with racially insensitive scenes and showed animals being treated inhumanely by modern standards. It would seem that “Dumbo” was doomed from the beginning. Fortunately, Burton makes enough adjustments and additions to this new look at Dumbo’s world under the big top that even PETA is singing his praises.

The film opens on the rundown Medici Brothers circus as they set up in a small town. The troop has barely been scraping by, plagued by the deaths of some of their top performers and forced to sell many of their animal acts to survive. Captain Holt Farrier (Colin Farrell) returns to the circus after serving in World War I to find that after his wife fell victim to the flu pandemic, their family’s trick horses had to be sold. His children, Milly and Joe, aren’t too keen on the idea of circus performing and Holt is forced to take on a new role of elephant caretaker in order to keep a roof over his family’s heads. This opening sequence is one of the worst aspects of the film, with most of the exposition being told to the audience instead of shown. Viewers struggle to care about the hardships because there’s a general lack of true depth given to the characters’ introductions. Even moments of real suffering, such as when it’s revealed that Holt lost his arm in the war, fall totally flat and don’t reveal their worth until much later in the film.

The first half of the film centers around Max Medici (Danny DeVito) showing Holt the ropes of his new job and revealing that he recently made a purchase that he hopes will save the show: a mother elephant who is due to give birth at any moment. Unfortunately for Max, when the baby is born he is anything but cute. His abnormally large ears make him a freak to the audience. Max demands a full refund from the seller who takes back the mother elephant and only returns half of what Max paid. This is the moment when the film starts to pick up. Dumbo and his mother’s storyline runs parallel to that of Holt and his children, both longing for a sense of real connection and love from their families, one separated physically and the other emotionally.

With Dumbo separated from his mother, the children decide to become his new family and through a series of scientific experiments, Milly discovers that Dumbo isn’t a freak at all. He is in fact magical and can use those giant ears to fly. The children, realizing Dumbo’s worth, make him a promise: if he flies for the audience Max will buy his mother back after profits come rolling in. Their plan starts to work perfectly as audiences catch wind of the flying elephant and Max’s dreams of fortune start to come true as shows begin to sell out in every city they travel to. The movie seems to take flight with the elephant as viewers find themselves headed into the second half of the film and crossing over into an entirely new and innovative storyline that hadn’t been a part of Dumbo’s original universe.

In the second half of the film we are introduced to Vandemere (Michael Keaton), a rich business man who runs a theme park called Dreamland, where the impossible is possible. He thinks Dumbo would be a perfect addition to his park and makes Medici an offer that he can’t refuse. As the entire troupe relocates over to Dreamland they quickly learn that behind the glitz and glamour of the Disney-like corporation is a nightmare of money hungry executives. It’s almost unbelievable that the film got away with such a brazen attack on corporate America, but it’s these moral messages that elevate “Dumbo” from just another Disney kids movie to something that the adults can learn a real lesson from too.

It’s not hard to imagine that “Dumbo” was a tricky film for Burton to construct. The film is one of the oldest and least viewed in the Disney catalog and he had to fight and uphill battle with PETA, who were concerned with how animals would be used and portrayed in the film (although they’re now giving Burton an award for his conscientious use of animals). It’s been said that sometimes when an artist faces adversity in the creative process, it brings out a better product in the end. “Dumbo” is definitely one of those cases. It’s not Burton’s best work by a long shot, but it finally feels like a return to some of the work that established him as one of the most unique and creatively risky filmmakers of our day. So welcome back Tim Burton. We missed you and can’t wait to see what you come up with next.

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Film Reviews

Avengers : Endgame review : a masterpiece designed for the fans

An epic battle to end all battles

K.T Simpson



One year after “Avengers: Infinity War” and it’s all culminating into one big epic end – aptly named “Avengers: Endgame”. Of course being a film set firmly within a superhero narrative, nothing is really “the end” so I wouldn’t shed too many tears, Marvel fans – there is plenty more Avengers to come, with “Spider-man: Far From Home” coming in July and the standalone “Black Widow” film upcoming with Scarlett Johansson as the protagonist. Producer Kevin Feige has noted that he considers “Far From Home” the ‘end’ of the third faze of the MCU, rather than “Endgame”, but regardless – one thing we can expect from “Endgame” is one giant battle to end all battles.

It’s nearly impossible to describe the plot of “Endgame” without giving away all the surprises, so I won’t. We all know what happened at the end of “Infinity War”, and in “Endgame” the leftover Avengers seek to right the wrongs and the chaos that Thanos (Josh Brolin) creates after collecting all 6 Infinity Stones. With 50% of the world’s population wiped out, which includes a large chunk of the Avengers and their families, the team embrace time travel to essentially turn back the clock and return the world to its original state and its inhabitants back where they belong.

The big focus for “Endgame” is the survivors, working together to save their crew and the rest of humanity – Captain America (Chris Evans), Thor (Chris Hemsworth), War Machine (Don Cheadle), Rocket (Bradley Cooper), Black Widow (Scarlett Johansson), Captain Marvel (Brie Larson), Hulk (Mark Ruffalo), Iron Man (Robert Downey Jr.), Ant-Man (Paul Rudd), Hawkeye (Jeremy Renner) and Nebula (Karen Gillan). The all-star group is only scraping the surface of what’s to come, with each team member bringing something to the table to help locate the infinity stones and fix what Thanos broke.

What follows is an entertaining thrill ride of surprises, “Back to the Future” jokes a-plenty and a killer soundtrack that is reminiscent of said film: and when you see the credits roll and Alan Silvesrti’s name come up, it all comes together nicely. If you think it’ll be all doom and gloom, given the subtext of the entire narrative, you’d be wrong – with the script full of humorous quips that are perfectly timed and the best way to crack a smile after half your favourite superheroes were reduced to dust in “Infinity War”.

Dead or alive, you’ll see all characters in this time-heist flick, which is really a film purely for the fans. It’s the superhero of all superhero films, and a terrific nod to the 21 Marvel movies that preceded it. It promises goosebumps, fistbumps and all other kinds of bumps that you’ll expect from an epic like “The Avengers”.

If you want a “Braveheart” style battle, you got it. If you’re after some clever pop culture references, take a big serving of that too. Furthermore, if you’re a big comic book nerd and just want a decent fix of superhero delight, “Avengers: Endgame” will deliver that as well. Oh, and if you want an appearance from the late and great Stan Lee – you will not be disappointed. But are you ever?!

Is it the best film ever made? No. But it does deliver in the hype we were all promised and is a spectacle more than anything else. The standalone Marvel films have more depth and substance to them, particularly on a character level. But “Endgame” promised the ending of all endings and that’s what you’ll get. Essentially it’s a fan service film, so Marvel fans – sit back and enjoy. “Endgame” delivers strongly on the nostalgia of the Marvel films that were delivered before it, and in a very clever manner. It is here that the film is most impressive, with the throwbacks to what has led them all up to this one final battle against Thanos. It’s a great way to see how it’s all tied together, and each film within the MCU has its part to play.

Though a long movie (3 hours and not a second under), it can be summed up very succinctly : “Endgame” is nothing short of a masterpiece. It’s directors Anthony and Joe Russo at their absolute best, and something that will be proudly displayed on their trophy shelf.

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Film Reviews

Penguins review : a film the whole family can enjoy

All together now: awwwwwww

Mike Smith



I don’t know what it is about penguins that make them so damn cute! Is it the way they walk? The fun they obviously have when they slide across the frozen tundra of the Arctic? The excessive fuzziness of their young? I really don’t know but I’m pretty sure they could do an all-penguin remake of THE EXORCIST, complete with projectile vomiting and self-gratification with a crucifix and people would go “awwwww.” Which is exactly the sound I made many times during a recent screening of “Penguins.”

Steve is an Adelie penguin looking for love. He and the other males in his colony are on a trek to find a mate. But the road to love isn’t easy. Especially when your pals are stealing parts of your nest in order to attract that special gal. And what are you supposed to do when you finally meet her?

A beautifully shot (over an almost three year period) film that manages to be both heart-warming and thrilling, “Penguins” gives the audience the “birds-eye” view of life in Antarctica. And it’s a pretty chilly one. Whether it’s having to walk miles upon miles to find food or teaching your chicks how to play dead when a leopard seal tries to eat them, it’s a hard knock life. Yet, it’s also one full of love and adventure.

Like “March of the Penguins” before it, “Penguins” is a film the entire family can enjoy. Kids will love it for the penguins’ parents for the story. Nature is on full display in this film and it’s one I highly recommend.

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Film Reviews

The Curse of the Weeping Woman review : fails to add any value to the Conjuring universe

Falls short of a decent horror

K.T Simpson



“The Curse of the Weeping Woman”, known as “The Curse of La Llorona” in other markets, adds to the “Conjuring” franchise by introducing a new horrific entity for us to have nightmares over. In a world full of horror films, it’s becoming more and more rare for any film to stand out as an original addition, so let’s delve into “Weeping Woman” to see if it’s worth seeing…

“The Curse of the Weeping Woman” begins with social worker Anna Garcia (Linda Cardellini) confronting a trouble mother who has seemingly been abusing her two young boys. As she gets taken away from her children, the woman pleads that there is more to her story, and blames the ghost of La Llorona – otherwise known as the Weeping Woman – for hurting her children. Unfortunately for Anna, La Llorona targets her children next, and will stop at nothing to take them away.

As Anna digs deeper, she discovers the history of the Weeping Woman in an effort to defeat her and get back to normal life, saving her kids in the process. Anna seeks help from a local priest, Father Perez (Tony Amendola from “Annabelle” – and practically the only tie to the “Conjuring” universe) who has had history dealing with demonic entities, such as that seen in the Annabelle doll.

As a standalone horror flick, “The Curse of the Weeping Woman” would be your typical teen-scarefest, and if you like a good jump scare then you’re in the right place. Where it fails is adding anything of value to the “Conjuring” universe. Its attempt at linking it back is by referencing a few key things from the franchise, but unfortunately it feels like a late script change to give it a reason to be released theatrically. Ultimately, James Wan producing a film within the “Conjuring” universe without directing reeks a lot like INXS without Michael Hutchence – the beats remain the same but there’s nothing that stands out, it merely goes through the motions of your stock-standard horror flick.

Furthermore, “The Curse of the Weeping Woman” is choc-a-block full of horror cliches – furniture flying across the room, doors opening and slamming shut, spirits suddenly appearing in people’s faces and said people being dragged across the room. Not to mention possession and nearly drowning in the bath. Absolutely nothing about this film is an original concept and that’s where it really fails to be any kind of memorable.

As the film nears its climax, it becomes unnecessarily complex as they attempt to defeat the corpse bride – or La Llorona as she’s called. As with any possessed house/person flick, things ramp up very quickly, but the elements involved with facing the spirit head-on are largely complicated, to a degree that just leaves audiences scratching their heads. As a result, the film goes from mildly frightening to just plain boring, as we wait for the end. Referring to the aforementioned clichés, the back third of “Weeping Woman” throws them all into a single scene – which is why it gets so weirdly complicated.

Michael Chaves directs “Weeping Woman”, and in terms of directing style definitely has a unique take. A lot of the frights come from first-person camera view, engaging the audience as if they too were living this nightmare. Chaves is also set to direct “The Conjuring 3”, due out in 2020, so it will be interesting to see how he ties the film in to both this one and the rest of the “Conjuring” franchise.

Look, overall “The Curse of the Weeping Woman” isn’t great. It’s a weird film to shove into “Conjuring” folklore, when it probably would be more successful as a straight-to-VOD teen horror for those looking for just another mindless demonic possession film.

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