In another “Batman” universe spinoff, The Joker is being given his own film, to tell the story of the origin of the signature villain, reports Deadline. Warner Bros and DC are in the early stages of developing the film, which has Todd Phillips on board to write the script alongside Scott Silver. Phillips will also direct the movie, with Martin Scorsese to produce it with him.
The character of The Joker has been played by a lot of high profile names over the years, notably Jack Nicholson and Heath Ledger, with Jared Leto portraying the villain most recently in “Suicide Squad” and in the future Harley Quinn spinoff. However, in this origin story the film will launch a new face for the Joker, most likely a younger actor.
The setting and context of the upcoming film is described by Deadline: “the intention is to make a gritty and grounded hard-boiled crime film set in early-’80s Gotham City that isn’t meant to feel like a DC movie as much as one of Scorsese’s films from that era”.
No word yet on where the film will fit in the DC schedule.
Caffeinated Clint’s Ten Favourite Films of 2018
And also his least favourite films of the year!
I don’t know that it was a great year for movies – in fact, most of the films I’d been anticipating bit me like a leech on the testicle – but that doesn’t mean there still wasn’t some tasty meat in between the pellets. For every “Jurassic World : Fallen Kingdom” there was a “Blackkklansman”, and for every [Insert Amy Schumer Movie Title] Here there was “Boy Erased”. Studios stuck to the recent norm of putting style over substance when it came to their tentpoles, leaving so many of the hotly anticipated and unyieldingly-promoted fare from the likes of chafing disappointments, but those major independent labels and artistic auteurs more than made up for any bugs in the system, smearing MacAfee virus removal all over the marquee with their distinct, diverse and surprisingly unique offerings.
The year’s biggest surprise – if only because it was a project that had been simmering away for the better part of fifteen years, losing director after director, leads after leads – was undoubtedly “A Star is Born”, which not only introduced audiences to ‘up and coming’ actress Lady Gaga, whose name will now be firmly cemented in cinema as much as it’s been in music, but also tyro director Bradley Cooper, who took on a discarded Eastwood project and put his own unique and powerful spin on it. Sure, it’s a story we’d seen time and time again (in fact, this is the fourth version of “A Star is Born”), but it was the chemistry of the leads, those dynamite performances, and the emotion carved into the libretto that kept critics and audiences hooked.
Like Cooper, freshman director Joel Edgerton also hit it out of the park this year with his turn behind the camera – “Boy Erased”. What a film that was. Just sublime. Powerful stuff.
On the no-surprise front, the always-dependable “Mission : Impossible” franchise continued to impress – is it the only series that actually improves as it goes on!? – just as much as its headline act, Tom Cruise, does with the most entertaining, most skilled blockbuster of the year “Fallout”. Featuring a killer turn from Henry Cavill as its hulking villain, eye-popping stunts and action sequences, and endless reminders why Tom Cruise is still the most bankable box-office star of our times, sixth time was the charm for the now 22-year-old movie franchise.
If one genre had the monopoly on the ‘best of’ list this year it was the family category, with everything from Paramount’s “Bumblebee”, Pixar’s “The Incredibles 2” and “Ralph Breaks the Internet”, and Sony Animation’s “Spider-Man : Into the Spider-Verse” all topping most live-action fare when it comes to sheer storytelling, allure and uniqueness. Seems the computer maketh some awesome filmeth!
Also very solid, the superhero movie fare of 2018 – sure, there were the fun, enjoyable time-passers like “Deadpool 2” and “Aquaman” but at the top end of the scale were some truly magnificent pieces, like the ground-breaking and exceedingly breathtaking “Black Panther” from Marvel.
Bearing in mind I’m still to catch up with quite a few movies that have made most Top Ten lists (including “If Beale Street Could Talk”, “Green Book”, “Suspiria” and “First Reformed”) here are my top ten favourite movies of 2018 :
A Star is Born
Mission : Impossible – Fallout
A Quiet Place
Ralph Breaks the Internet
Avengers : Infinity War
The Incredibles 2
Runners-Up : Annihilation, Bumblebee, Spider-Man : Into the Spider-Verse, Ant-Man & The Wasp
And, for me, these were the least enjoyable films of the year…
Super Troopers 2
Holmes & Watson
I Feel Pretty
Truth or Dare
Jurassic World : Fallen Kingdom
Apparently Sinbad stars in the new Aladdin?
Don’t worry, he’ll be a Man in Blue come summer 2019
The Fresh Prince of Blue Heir.
Disney have unveiled a first look at Will Smith’s Genie from the upcoming live-action (in case you haven’t heard, that’s the latest thing Disney have dampened their undies for lately) ‘Aladdin’, and I gotta tell you, it is absolutely beautiful to see such full those hearts at Christmastime… as evident in social media responses.
What could Will Smith possibly have done to deserve this? Jada is gonna have to do a whole episode of “Read Table Talk” about this hair piece. pic.twitter.com/wMm5fysIg0
— Saeed Jones (@theferocity) December 19, 2018
— ToeKnee (@tonyshaazam) December 19, 2018
I have … Questions
Like why does Will Smith look like Sinbad? pic.twitter.com/lITuMfj7L7
— Krishan A Smith (@Krishan_Mamba24) December 19, 2018
Everyone talking about Will Smith as Genie and I’m sat here wondering why Aladdin looks likes he is on I’m a celeb pic.twitter.com/mP2rNJ9Sgt
— Mitchell (@MitchellDisney) December 19, 2018
For the record, and if it helps with the eye chafing, the character will be ‘blue’ in the finished film. Mike Lowery said it himself. In other words, the movie is going to be the shizzle. All it needs is a blue genie, after all. Right!?
Some other pics from the upcoming flick are below, but first, a new photo from Disney’s upcoming “Lion King” adaptation – here’s Mufasa.
We’ve got your first look at Deadwood the movie!
First pics feature Ian McShane and Timothy Olyphant; executive producer talks storyline
Sayin’ questions in that tone and pointin’ your finger at me will get you told to **** yourself.
Christmas comes early for “Deadwood” fans with the first pics from the long-awaited film version – releasing – hitting the online distraction service today.
There’s Ian McShane, hardly aged a day, looking as devilish as ever as saloon owner Al Swearingen, and also our first look at a slightly older but even slightly more distinguished Seth Bullock, now a U.S Marshal, played by Timothy Olyphant.
Also returning from the HBO series : Molly Parker (Alma Ellsworth), Paula Malcomson (Trixie), John Hawkes (Sol Star), Anna Gunn (Martha Bullock), Dayton Callie (Charlie Utter), Brad Dourif (Doc Cochran), Robin Weigert (“Calamity” Jane Canary), William Sanderson (E.B. Farnum), Kim Dickens (Joanie Stubbs) and Gerald McRaney (George Hearst).
They’ve been yakking about a movie version of “Deadwood” for quite some time – in fact, near as soon as the show was cancelled, at the conclusion of its third season. It’s taken a number of years to get together, largely because of cast scheduling, but the photos above prove it’s finally a reality.
”Tim was pretty tough. I will say he really dug in — in a good way, not a stubborn way — with good thoughts on where to take his character and the story and kept pushing on that, and they were helpful thoughts in terms of getting the script where it needed to be”, the film’s EP Carolyn Straus tells EW.
Series creator David Milch scripted the film, which airs sometime next year. It will reportedly be about time taking it’s toll on people.
“If you ask David, it’s about the passage of time”, says Straus. “The toll of time on people. It’s mellowed some people and hardened others. And it’s about the town’s maturing and becoming part of the Union and what that event sets in motion, in a very personal way for the people that it brings in town and what ensues. The toll of time has not just struck Deadwood and the characters but all the people making it as well, you get to see the faces of people 12 years later. And it was really profound. Actors were crying at the table read — not necessarily from the script but the emotion of being back and doing something we all loved doing so much. You normally have a great experience and then it’s over. You don’t normally get the chance to do this in life. It was kind of a gift.”
Swearingen has endured a lot since we last saw him, says Straus.
”The time has taken its greatest toll on Swearengen. He’s the person who really drove so much of the life of the town and there’s a sense of that power waning somewhat, and what ensues of that is a big part of the story.”
There was originally talk of two “Deadwood” movies – which Milch had said would wrap up the storylines left dangling after the series annulment – but at this stage, even if we only get the one, it’s one more than I think most of us assumed we’d ever get.
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